Andy Warhol - Flash F.S. II 41 jpg
Andy Warhol - Flash 40 jpg
Andy Warhol - Flash F.S. II 41 sig blur jpg
Andy Warhol - Flash F.S. II 32 hanging jpg
Andy Warhol - Flash Install jpg
Andy Warhol - Flash F.S. II 41 jpg

Flash 40

Catalogue Title: Flash – November 22, 1963 (FS II.40)

Year: 1968

Size: 21” x 21”

Medium: Portfolio of eleven screenprints, colophon, and Teletype text on paper

Edition: 200, 26 numbered in Roman numerals; 10 lettered A-J have three additional screenprints, each of which is a composite of images from II.33 and II.38. (See II.43A-43C.) Each print, housed in a folder with a page of Teletype text, is signed in ball-point pen on verso; the colophon is signed and numbered in ball-point pen.

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Flash 40 by Andy Warhol is part of a portfolio of eleven different screenprints based on the assassination of President John F. Kennedy on November 22, 1963. The piece was named for all the “news flash” texts that were being broadcast at the time. All of the prints were based on campaign posters, mass-media photographs, and advertisements. The prints were presented next to Teletype text taken straight from news sources. The title Flash – November 22, 1963 represents the date of the assassination and the constant news attention about the event.

Flash 40 by Andy Warhol as Part of His Larger Body of Work

Warhol continued to use images from the media in his work while using the layering technique more to add depth to his images. Flash 40 demonstrates a clear statement about his feelings towards the media and how the American people react. With this series, Warhol is observing American society including its relationship with the media and its obsession with tragedy, which he returns to in later works. He continues to take on mass media in his work by challenging the norms and making people think differently. With this portfolio, Warhol revisits a subject he has already looked at with the Jacqueline Kennedy prints. However, this time Warhol is focusing on the man himself.

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