Stock image of Gertrude Stein 227 Trial Proof by Andy Warhol, from the Ten Portraits of Jews series from 1980.
Andy Warhol - Gertrude Stein F.S. II 227 frame jpg
Andy Warhol - Gertrude Stein F.S. II 227 hanging jpg
Size comparison image of Gertrude Stein 227 Trial Proof hung on gallery wall next to silhouettes of Warhol and Edie Sedgewick.
Warhol standing in front of his prints of Sigmund Freud and Gertrude Stein.

Gertrude Stein 227 (Trial Proof)

Catalog Title: Gertrude Stein (FS II.227) (Trial Proof)
Year: 1980
Size: 40" x 32" | 101.6 x 81.3 cm.
Medium: Screenprint on Lenox Museum board.
Edition: Edition of 25 TP, signed and numbered in pencil.
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Gertrude Stein (FS II.227) (Trial Proof) is a unique color variation artwork from his Ten Portraits of Jews of the 20th Century portfolio. Gertrude Stein was an American writer of novels, poetry and plays that eschewed the narrative, linear, and temporal conventions of 19th-century literature. Stein was also known to be a fervent collector of Modernist art.

She was born in West Allegheny Pittsburgh, Pennsylvania, raised in Oakland, California. When she moved to Paris in 1903, she made France her home for the remainder of her life. For some forty years, the Stein home at 27 Rue de Fleurus on the Left Bank of Paris was a renowned Saturday evening gathering place. Expatriate American artists and writers, along with other noteworthy figures in the world of avant-garde arts and letters, frequented her salon—most notably Pablo Picasso. Entrance into the Stein salon became a sought-after validation. Stein served as a mentor, critic, and guru to those who gathered around her, including Ernest Hemingway, who described her salon in A Moveable Feast.

Gertrude Stein 227 as Part of Andy Warhol’s Larger Body of Work

Gertrude Stein 227 is a part of Warhol’s Ten Portraits of Jews of the 20th Century. Warhol built his reputation on prolific celebrity portraits and a deep fascination with fame. In many works, he emphasized surface and image, often reducing his subjects to their visual essence. But in this series, he deliberately shifts focus. Instead of glamor or notoriety, Warhol chose figures whose achievements shaped the arts, sciences, and law.

Photo Credit: Andy Warhol at the Jewish Museum, 1980. Photo by Bernard Gotfryd.

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