Grapes 190 by Andy Warhol
Grapes 190, out of frame
Andy Warhol's signature on the Grapes 190 screen print
Grapes 190 by Andy Warhol in a frame
Grapes 190 by Andy Warhol hanging at Revolver Gallery
Andy Warhol - Grapes F.S. II 190 wd jpg
Photo credit: Andy Warhol, Grapes, 1981. Unique polaroid print, 4 × 3 in, © 2012 The Andy Warhol Foundation for the Visual Arts, Inc. / Artists Rights Society (ARS), New York / Copyright of Christie’s Images.

Grapes 190

Catalog Title: Grapes (FS II.190)
Year: 1979
Size: 40" x 30"
Medium: Portfolio of Six screenprints on Strathmore Bristol Paper
Edition: Edition of 50, 10 AP, 2 PP, 1 HC, signed and numbered in felt pen lower right.
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Grapes 190 is a 1979 screen print by Andy Warhol from his six-part Grapes portfolio. Warhol transforms a simple still life into an abstract, high-energy composition. The clustered grapes and tangled leaves fill the upper half of the print, while bold blocks of yellow, orange, and red create a vivid structure. Moreover, the collage-like arrangement highlights his interest in layering flat color over drawn outlines.

Origins and Influences Behind Grapes 190

Warhol explored fruit in other works from 1979, including the Space Fruits series. However, his turn to grapes likely grew out of an earlier collaboration with Chateau Mouton Rothschild. In 1975, he designed labels for the winery. Consequently, the color pairing of green, orange, and deep pink seen there reappears in this later still-life portfolio.

Warhol’s Color and Composition Strategy

In Grapes 190, the bunch of grapes appears in a striking dark pink, which immediately pulls the viewer into the scene. The surrounding leaves, printed in shamrock green, add contrast and movement. In addition, Warhol layers flat color blocks over sketchy black lines, causing the grapes to fragment into semi-abstract forms. This technique gives the fruit an elusive quality. Meanwhile, the bursts of fuchsia and green sit against warmer tones of orange and red, creating a lively set of color relationships.

Balance and Structure in the Composition

The print remains anchored by a wide band of white and orange at the bottom of the frame. As a result, the strong color fields above feel more controlled. This spacing also provides a moment of visual rest, which enhances the rhythm of the composition. Even though Warhol uses loud, saturated tones, the overall design stays remarkably balanced.

Grapes 190 in Warhol’s Larger Body of Work

Grapes 190 shows Warhol’s ability to take a traditional still-life subject and turn it into a contemporary Pop object. Through deliberate color choices, collage effects, and crisp screen-printing methods, he reshapes ordinary fruit into something unexpected. Therefore, the print stands as an example of Warhol’s continued experimentation in the late 1970s and his push toward bold, innovative techniques in printmaking.

Photo credit: Andy Warhol, Grapes, 1981. Unique polaroid print, 4 × 3 in, © 2012 The Andy Warhol Foundation for the Visual Arts, Inc. / Artists Rights Society (ARS), New York / Copyright of Christie’s Images.

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