Andy Warhol - Hammer and Sickle F.S. II 162 jpg
Andy Warhol - Hammer and Sickle F.S. II 162 jpg
Andy Warhol - Hammer and Sickle 162
Andy Warhol - Hammer and Sickle 162
Andy Warhol - Hammer and Sickle 162
Andy Warhol - Hammer and Sickle F.S. II 162 wd jpg

Hammer and Sickle 162

Catalogue Title: Hammer and Sickle (FS II.162)

Year: 1977

Size: 30″ x 40″

Medium: Screenprint on Strathmore Bristol paper

Edition: 50, 10 AP, 2 PP, 1 HC, signed and numbered in lower left.

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Andy Warhol was inspired to create his Hammer and Sickle portfolio after a trip to Italy. He took note of the omnipresent hammer and sickle graffiti that symbolized the union of industrial and farm workers under communist control. He asked his assistant, Ronnie Cutrone, to search for appropriate materials from which he could create his pieces. Cutrone purchased a hammer and sickle and photographed them in different positions, from which Warhol derived his inspiration and composition. For the majority of the portfolio, Warhol worked with a bright red to evoke the color of the communist flag and the terror it evoked. Hammer and Sickle 162 depicts the subjects in white, with dark purple and red shadows, highlighting the hidden reality of the communist landscape in comparison to the veneration of the party at the time.

 

Hammer and Sickle 162 by Andy Warhol as Part of His Larger Body of Work

Warhol’s bold approach to addressing the political issues of the time showed that he was cognizant of political unrest and the importance of creating a statement through art. He chose the feared symbol of communism and contrasted it with the lighthearted nature of the Pop Art feel, in order to evoke satire as a personal commentary on the Cold War. Warhol’s ability to decontextualize symbols of contemporary society and re-introduce them within an aesthetic framework was a fundamental aspect that aided his popularity. Warhol does this through the series by illustrating that there is a fine, and often blurred, line between propaganda and art.

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