Andy Warhol - Plains Indian Shield F.S. II 382 jpg
Andy Warhol - Plains Indian Shield F.S. II 382 framed jpg
Andy Warhol - Cowboys and Indians (Full Suite) hanging jpg
Andy Warhol - Plains Indian Shield F.S. II 382 wd jpg

Plains Indian Shield 382

Catalogue Title: Plains Indian Shield (FS II.382)

Year: 1986

Size: 36″ x 36″

Medium: Screenprint on Lenox Museum Board.

Edition: Edition of 250, 50 AP, 15 PP, 15 HC, 10 numbered in Roman numerals, signed and numbered in pencil. Portfolio of 10.

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Plains Indian Shield 382 by Andy Warhol was created in 1986, the year before his death. During this time, Warhol continued his appropriation of classic American icons and images with his Cowboys and Indians series, a portfolio of ten graphic screenprints representing traditional figures and figureheads of the American West. Plains Indian Shield 282 depicts a version of traditional Native American shields that were typically made out of hyde and adorned with feathers, in a convergence between practical and spiritual beliefs. Warhol’s take on the shield is more artistic than the traditional, with crude drawings of animals and intricate patterns that contrast the more geometric shapes found in the artwork of Native Americans.

PLAINS INDIAN SHIELD 382 AS PART OF ANDY WARHOL’S LARGER BODY OF WORK

Warhol interspersed recognizable portraits of well-known American heroes–John Wayne, Annie Oakley, Teddy Roosevelt, and General George Custer–with less familiar Native American images and motifs in his ironic commentary on Americans’ collective mythologizing of the historic West. Rather than portraying Native Americans within their historical landscape or Cowboys in their veritable forms, Warhol chose to portray a popular, romanticized version of the American West. The West that he chose to represent is familiar to everyone and can be seen in novels, films, TV series. Warhol’s Cowboys and Indians Suite is an ahistorical representation that mirrors a popular interpretation of the American West. Plains Indian Shield 382 is a fine example of Warhol’s aesthetic intent in its reduction of an entire heritage and way of life into a single trademark image.

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