Queen Ntombi Twala 347 by Andy Warhol
Queen Ntombi Twala 347 outside of the frame
Queen Ntombi Twala 347 in a frame
Queen Ntombi Twala 347 signature
Queen Ntombi Twala Complete Portfolio at the gallery
Andy Warhol - Queen Ntombi F.S. II 347
Queen Ntombi Twala in 2016 by Unknown photographer

Queen Ntombi Twala 347

Catalog Title: Queen Ntombi Twala of Swaziland (FS II.347)
Year: 1985
Size: 39 3/8" x 31 1/2" | 100 x 80 cm.
Medium: Screenprint on Lenox Museum Board.
Edition: Edition of 40, 10 AP, 5 PP, 3 HC, 30 TP containing only one image of each queen, signed and numbered in pencil. There is also a Royal Edition of 30, 5 AP, 2PP, and 2 HC, sprinkled with diamond dust, notated as FS II.347A.
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Queen Ntombi Twala of Swaziland 347 by Andy Warhol depicts one of the four queens featured in his Reigning Queens Complete Portfolio. Warhol based the image on the official state portrait of Queen Ntombi Twala, then reimagined it through vivid color fields and linear embellishments. Moreover, he used low-contrast blue and green tones in the background so the queen’s face, rendered in deep red, becomes the work’s focal point. As one of Warhol’s largest print series, Reigning Queens demonstrates his fascination with power, visibility, and mass-produced iconography.

Andy Warhol’s Reigning Queens

Warhol created sixteen portraits for the Reigning Queens series. These included Queen Margrethe II of Denmark, Queen Beatrix of the Netherlands, Queen Ntombi Twala of Swaziland, and Queen Elizabeth II of the United Kingdom. In this print, Warhol emphasized Queen Ntombi Twala’s skin tone more strongly than in the other variants. Consequently, her portrait stands apart within the suite, underscoring her significance as the only queen of color represented in the portfolio. Additionally, Warhol’s use of soft blue grounds allows the saturated reds and yellows to rise forward. The balance of colors in this particular image creates a striking sense of warmth and immediacy.

Color, Line, and Silkscreen Technique in Queen Ntombi Twala 347

Like many of Warhol’s works from the 1970s and 1980s, Queen Ntombi Twala of Swaziland 347 relies on silkscreen printing. The process allowed Warhol to build color layer by layer while preserving the crisp outlines of the photographic source. Furthermore, he added linear red drawing over the crown and necklace, giving the portrait a graphic rhythm. A green geometric shape appears across her shoulder, echoing the abstract overlays he used in the Mick Jagger Portfolio. These elements encourage the viewer’s eye to travel across the composition, balancing detail with clarity.

Queen Ntombi Twala 347 in Warhol’s Larger Body of Work

Warhol had spent decades transforming celebrity portraits into bold, color-driven icons, ranging from Marilyn Monroe to Karen Kain. His interest in politics and power also shaped portraits of John F. Kennedy, Vladimir Lenin, and Alexander the Great. Even so, Reigning Queens marked his first major exploration of contemporary royalty. The portfolio highlights female authority and presents each queen as an autonomous leader rather than a figure defined by marriage or lineage. As a result, Queen Ntombi Twala of Swaziland 347 stands as one of Warhol’s most elegant and dignified portrayals. The composition effectively balances regal formality with the unmistakable energy of Pop Art.

Photo credit: Queen Ntombi Twala in 2016. Unknown photographer.

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