Andy Warhol - Sunset (Purple and Blue) jpg
Sunset 88 (Unique) outside of a frame
Andy Warhol - Sunset (Pink/Yellow) hanging jpg
Sunset 88 (Unique) outside of a frame

Sunset 88 (Unique)

Catalog Title: Sunset (FS II.88) (Unique)
Year: 1972
Size: 34" x 34" | 86.4 x 86.4 cm
Medium: Screenprint on Paper
Edition: 632 unique prints divided as follows: 40 portfolios containing four prints each, signed and numbered in pencil on verso. The remaining 472 prints were used by architects Johnson & Burgee for the Hotel Marquette, Minneapolis, Minnesota. In 1981, upon removal from the hotel, these prints were signed, numbered 1/470 - 470/470, and dated in pencil on verso, and two were marked "HC"; they were stamped in black on verso "Hotel Marquette Prints."
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Andy Warhol’s Sunset 88 (Unique) (1972) is a vibrant screenprint from his Sunset portfolio. The work shows a glowing pink sun set against a banded sky of purples and blues. The circular form of the sun radiates warmth, while the soft horizontal layers of color suggest atmosphere and motion. The simplicity of the composition highlights the interplay of light and color, turning an ordinary natural event into a striking Pop Art image. Each print in the Sunset series carries its own palette, and this example conveys calm, mystery, and serenity through its cool yet luminous tones.

The Sunset Portfolio

Warhol created the Sunset portfolio in 1972, and it stands out as one of his most ambitious projects. Commissioned by the architectural firm Johnson & Burgee for the Hotel Marquette in Minneapolis, the series was designed to decorate guest rooms in the newly renovated space. Warhol created 472 unique variations, using only three screens but altering the inks to produce a wide range of effects. No two prints are exactly alike.

This focus on seriality and variation placed the Sunset series apart from Warhol’s commercial subjects. Where his soup cans and celebrity portraits emphasized mass production and branding, the Sunset prints explored the infinite variability of a universal natural event. The connection to film was also central: the images were based on reels Warhol shot in East Hampton, San Francisco, and New York for his experimental film Sunset (c. 1964-67). Each print can be seen as a still frame from that moving image, frozen and reimagined through silkscreen.

Sunset 88 (Unique) by Andy Warhol as Part of his Larger Body of Work

Sunset 88 (Unique) belongs to one of Warhol’s most unusual and ambitious portfolios. The series reflects his continued interest in repetition and serial imagery, but in a new and more contemplative form. Instead of celebrities or brand icons, the subject is the sun itself, universal and fleeting.

This project also broadened Pop Art’s scope. Warhol applied the mechanical silkscreen process to a subject for expressive or romantic art. The result is a work that bridges his fascination with surface and seriality with an almost lyrical approach to color.

Seen alongside portfolios like Campbell’s Soup Cans or Marilyn Monroe, Sunset underscores the versatility of Warhol’s vision. With Sunset 88 (Unique), he turned a daily, fleeting occurrence into a serialized meditation on time, light, and perception. Even the simplest natural imagery could become Pop Art. The work reaffirms his place as one of the most innovative artists of the 20th century.

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