Turtle by Andy Warhol
Turtle unframed
Detail of Andy Warhol's signature on Turtle
Detail of stamp on verso of Turtle
Turtle by Andy Warhol framed
Turtle hanging at Revolver Gallery
Size comparison image for Warhol's Turtle artwork.
Turtle Diary movie poster
Andy Warhol sitting in front of his Endangered Species portfolio, 1982.

Turtle A360

Catalog Title: Turtle (FS II.360A)
Year: 1985
Size: 31 1/2" x 39 3/8" | 80 x 100 cm
Medium: Screenprint on Lenox Museum Board
Edition: Edition of 250, 50 Artist's Proof, 10 Printer's Proof, 2 BAT, 10 Trial Proof. Signed and numbered in pencil. Printed by Rupert Jasen Smith in New York. Published by CBS, Inc., in Los Angeles.
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Turtle (FS II.360A) by Andy Warhol, created in 1985, showcases the artist’s late mastery of screen printing and color experimentation. Its rectangular format distinguishes it from the square works in the Endangered Species portfolio. Though often mistaken for part of that series due to its thematic and stylistic resonance, Turtle was conceived as an independent project.

Commissioned for the British romantic comedy Turtle Diary (1985), the work echoes the film’s themes of liberation and human connection. Warhol’s print served as both a promotional image and a visual companion to the film’s narrative, embodying its spirit of release and renewal.

Color, Form, and Symbolism

At first glance, Turtle 360A bursts with strange brilliance. Warhol transforms the sea turtle into a near-mythic creature. Shades of blue—ordinarily calm and aquatic—become metallic and reflective, hinting at humanity’s trespass upon nature. The greens of the turtle’s shell pulse with an electric energy, suggesting artificiality rather than vitality.

Outlined in vivid red, the turtle appears to float, weightless yet monumental. Its static pose contrasts with the dynamic quality of the composition, embodying both stillness and movement. In the context of Turtle Diary, this visual tension mirrors the characters’ own journey from isolation toward freedom.

Between Film, Nature, and Pop Art

While Turtle 360A was created for cinema rather than conservation, its moral message aligns closely with Warhol’s Endangered Species series of 1983. Both bodies of work reveal Warhol’s late-career ecological awareness. Here, too, he invites viewers to admire the animal’s form while recognizing its fragility.

Through repetition and screen printing—a process of endless variation—Warhol highlights the theme of multiplicity. Each impression becomes unique yet part of a collective whole, much like the sea turtles released in the film’s symbolic finale. The act of release mirrors the print’s energetic, liberated lines: art as a metaphor for freedom.

Turtle 360A: Texture, Depth, and Enduring Legacy

Warhol contrasts flat planes of color with textured outlines to create both surface tension and depth. The tactile red contours bring vitality to the quiet blues and greens. The turtle—an ancient emblem of endurance and wisdom—takes on renewed significance in Warhol’s hands. It becomes a metaphor for tenacity, echoing both Aesop’s fable and the enduring pace of nature itself.

Over time, Turtle 360A has gained steady acclaim among collectors. Its gradual rise in the market affirms its symbolic message: “slow and steady wins the race.” By merging environmental subtext, filmic storytelling, and Pop Art innovation, Turtle stands as one of Warhol’s most quietly profound works of the 1980s—a bridge between activism, mythology, and motion picture culture.

Photo credit: Turtle Diary (CBS, 1985) poster designed by Andy Warhol (27″ × 40″). Courtesy of Heritage Auctions.

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