The St. George and the Dragon 326 print by Andy Warhol.
Hi-Res scan of Andy Warhol's St. George and the Dragon.
Size comparison image showing the size of the St George and the Dragon 325 print relative to the height of Warhol and Edie Sedgwick.
The original St George and the Dragon painting that inspired Warhol.

Paolo Uccello, St. George and the Dragon 326

Catalog Title: St. George and the Dragon (FS II.326)
Year: 1984
Size: 32 x 44" (81.3 x 111.8 cm); image, 25 x 37" (63.5 x 94 cm)
Medium: Screenprint on Arches Aquarelle (Cold-Pressed) Paper
Edition: 50, 12 AP, 5 PP, 4 HC, signed and numbered in pencil lower left. There are 36 TP portfolios as described in II.316-319 of the catalogue.
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Andy Warhol’sย St. George and the Dragon 326ย is a screenprint from the artist’sย Details of the Renaissance Series, specifically the “Details of the Renaissance Paintings (Paolo Uccello, St. George and the Dragon, 1460)” portfolio.

Warholโ€™s larger portfolio entitled โ€œDetails in Renaissance Paintingsโ€ includes several famous paintings that Warhol transformed with his signature pop art style, one of them being Paolo Uccello’s masterpiece, St. George and the Dragon, from 1460. Warhol recreated this painting into a screenprint of four, using different color combinations to add individuality to each print. Warhol’s version of St. George and the Dragonย showcases bold colors with a red-tone film that covers the whole print. This gives it a more Pop and unique feel to the print. By focusing on the damselโ€™s upper body and one of the dragonโ€™s wings, Warhol was able to extract a curious portion of the scene from the larger painting to emphasize detailing and re-contextualize the artwork.

St. George and the Dragon 325 by Andy Warhol as Part of His Larger Body of Work

Warhol wanted to refurbish Italian Renaissance paintings into Pop Art prints with bold colors. However, by producing many prints of different color combinations with the help of the screenprinting process, Warholโ€™s pieces became more commercialized. By focusing on specific parts of the original paintings, Warhol extracts new meaning from the ultra-famous artworks, creating a commentary of his own and allowing us to reconsider the paintings. This forced his audience to look at his prints separate from the original paintings, from a Pop art perspective. Despite Warholโ€™s intent to strip his works from the paintingโ€™s original context, he still honored and respected the works of the great artists of the Renaissance era.

Other artworks from Warhol’s “Renaissance” series includeย The Birth of Venus,ย The Annunciation,ย andย Madonna del Duca da Montefeltro.

Photo credit: Artwork that inspired Warhol by Paolo Uccello titled St. George and the Dragon, c. 1470. Courtesy of the National Gallery in London.

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