Grapes 195 by Andy Warhol
Grapes 195 by Andy Warhol unframed
Warhol's signature on the Grapes 195 screen print
Grapes 195 by Andy Warhol in a frame
Grapes 195 by Andy Warhol hanging at Revolver Gallery
Andy Warhol - Grapes F.S. II 195 wd jpg
Photo credit: Andy Warhol, Grapes, 1981. Unique polaroid print, 4 × 3 in, © 2012 The Andy Warhol Foundation for the Visual Arts, Inc. / Artists Rights Society (ARS), New York / Copyright of Christie’s Images.

Grapes 195

Catalog Title: Grapes (FS II.195)
Year: 1979
Size: 40" x 30"
Medium: Portfolio of Six screenprints on Strathmore Bristol Paper
Edition: Edition of 50, 10 AP, 2 PP, 1 HC, Signed and numbered in felt pen lower left.
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Grapes 195 by Andy Warhol presents two hanging grape clusters rendered in saturated purple and deep blue, set against bold blocks of mustard yellow, teal green, and black. Thick black gestural lines trace the grapes and vines, while heavy shadowing compresses the forms. As a result, the composition feels dense and layered. Moreover, the doubled clusters offset diagonally to create visual tension and movement.

Grapes 195 and the Language of Repetition

Created in 1979, Grapes 195 is the final print in Andy Warhol’s Grapes portfolio. Here, Warhol pushes still life further into abstraction. He abandons natural color in favor of contrast and repetition, allowing form and rhythm to guide the image. The paired grape clusters echo Warhol’s long-standing interest in doubling, a strategy he used to examine sameness, variation, and visual memory.

Color, Doubling, and Collage Effects

What distinguishes Grapes 195 is how Warhol embeds repetition within the composition itself. The dominant grape cluster finds a quieter counterpart through overlapping blocks of purple and blue. Meanwhile, a mustard-yellow field on the left interrupts the darker background, sharpening contrast. Warhol layers flat color beneath expressive linework, creating a collage-like surface that feels both deliberate and spontaneous.

Grapes 195 in Warhol’s Larger Body of Work

Warhol’s experiments with grapes may relate to his earlier design work for Château Mouton Rothschild, where fruit and graphic color played a central role. In Grapes 195, he refines those ideas through repetition, abstraction, and bold contrast. Furthermore, Warhol’s departure from the naturalistic portrayals associated with the still life genre showcases his unique artistic vision. The print closes the portfolio with confidence, underscoring Warhol’s ability to transform a familiar subject into a complex visual structure.

Photo credit: Andy Warhol, Grapes, 1981. Unique polaroid print, 4 × 3 in, © 2012 The Andy Warhol Foundation for the Visual Arts, Inc. / Artists Rights Society (ARS), New York / Copyright of Christie’s Images.

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