Sex Parts FS II 177 by Andy Warhol
Sex Parts Complete Portfolio by Andy Warhol
Size comparison image showing the size of the Sex Parts (FS II.177) relative to the height of Warhol and Edie Sedgwick.

Sex Parts 177

Catalog Title: Sex Parts (FS II.177)
Year: 1978
Size: 31" x 23 1/4" | 78.7 x 59 cm
Medium: Screenprint on HMP paper
Edition: 30, 5 AP, 1 PP, signed and numbered in pencil lower right
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As part of the Sex Parts portfolio, this work exemplifies Andy Warhol‘s pioneering exploration into the realms of art, sexuality, and identity. Created in 1978, the portfolio was born out of Warhol’s intimate photo sessions with models he met through New York’s gay bathhouses and clubs, a project facilitated by his assistant, Victor Hugo. Warhol meticulously segregated these photographs into two collections: “Torsos” and “Sex Parts,” with the latter delving into overtly sexual acts, thus challenging the conventional boundaries between art and obscenity.

Echoing the composition of FS II.175, this print captures the gripping of an erect penis from a dominant above position, highlighting the power dynamics and the intense personal connection inherent in such acts. The focused framing on the hand and genitalia, removing any wider context or identity, allows for a meditation on the nature of desire, dominance, and submission.

Like the other five prints in this portfolio Sex Parts 177 reflects Warhol’s audacious approach to depicting explicit scenes, pushing the viewer to reconsider preconceived notions of public art. Warhol’s choice to isolate and highlight specific moments of physical connection challenges conventional perceptions of erotic art, pushing the boundaries between the private act and public display. 

Despite facing resistance from galleries and dealers, Warhol’s commitment to exploring themes of desire and identity—particularly his own as a gay man—remained unwavering. This series not only marked a significant phase in Warhol’s career but also captured a transformative moment in societal attitudes towards sexuality, underscored by the burgeoning LGBTQ+ movement.

Sex Parts 177 stands as a candid expression of male sexuality, rendered with a sketch-like immediacy and presented in stark black and white, reminiscent of Warhol’s experimental films. Through these intimate depictions, Warhol invites viewers to reflect on the universal experiences of vulnerability, trust, and the inherent desire for connection that define the human condition. 

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