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Andy Warhol Kiku 309 screenprint, basic stock image with Revolver Gallery watermark.
Andy Warhol Kiku 309 screenprint out of frame.
The Kiku 309 screenprint our of frame laying on a table.
Andy Warhol's signature on the Kiku 309 print.
Andy Warhol's Kiku screenprints hanging on the wall.
Size comparison image for Kiku 309, showing the size of the print to be 19 and 5/8 inches by 26 inches.

Kiku 309

Catalogue Title: Kiku (FS II.309)

Year: 1983

Size: 19 5/8” x 26”

Medium: Screenprint on Rives BFK paper

Edition: Edition of 300, signed and numbered in pencil.

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Kiku 309 is a floral screenprint by Andy Warhol from 1983. Artists have looked to still life studies comprised of flowers as a subject matter for paintings and drawings for centuries. Throughout Andy Warhol’s career, he created numerous paintings and screenprints that are based on flowers. In 1983, he created a series based on the Kiku flower. The Kiku, better known as the Chrysanthemum, is a Japanese flower which signifies Autumn in Japan, the time in which it blooms. This print of Kiku 309 uses split background colors and sketched outlines that draw attention to the ethereal quality of the flowers. Other Kiku prints include Kiku 307 and Kiku 308.

Kiku 309 by Andy Warhol as Part of His Larger Body of Work

Andy Warhol created numerous paintings that are based on flowers. He did so in a very unique way, in which he respected the flower’s natural structure, but he added bright colors and highlights. Warhol’s Flowers portfolios, which appropriated, arranged and cropped four blossoms in eccentric colors, are some of his most famous paintings. While the Flowers (Black and White) and Flowers (Hand-colored) portfolio possess a more gestural quality, and feel more like studies. In the early 1980s, Warhol was approached by the Gendai Hanga Center in Tokyo to produce paintings of flowers. Kiku is the Japanese word for chrysanthemum, a flower that traditionally represents the Japanese emperor and Imperial House. This flower inspired the screenprints Warhol created.

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