Alexander The Great 291 by Andy Warhol
Alexander The Great 291 outside of a frame
Alexander The Great 291 in a frame
Signature of Andy Warhol on Alexander The Great 291
Size comparison image showing the size of the Alexander The Great 291 relative to the height of Warhol and Edie Sedgwick.
Head of Alexander the Great Bronze. Greek or Roman. Late Hellenistic to Hadrianic, ca. 150 BCE — 138 CE.

Alexander The Great 291

Catalog Title: Alexander The Great (FS II.291)
Year: 1982
Size: 39 1/2" x 39 1/2" | 100.3 x 100.3 cm
Medium: Screenprint on Lenox Museum Board
Edition: Edition of 25, 5 AP, 1 PP, signed and numbered in pencil lower right. Portfolio of 2 screenprints. There are the following individual TP not in portfoliods signed and numbered in pencil lower right: 65 TP, 40"x 40"; 15 TP, 39 1/2" x 39 1/2"; 8 TP numbered in Roman numerals, 40" x 32"; 5 TPAP, 40" x 40".
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Alexander the Great 291 by Andy Warhol presents a cropped profile of an ancient bronze head, shown in sharp relief against a saturated pink ground. The sculpted face appears weathered and pitted, with deep shadows around the eye and jaw that emphasize age and gravity. Warhol overlays the classical form with thin neon outlines and red linear accents, which trace the contours of the hair and facial features. As a result, the bust feels both monumental and electric, suspended between archaeological artifact and contemporary image.

Origins of the Portfolio: The Search for Alexander

Warhol created Alexander the Great 291 in 1982 as part of his Alexander the Great portfolio. The series was commissioned by gallerist Alexander Iolas for the Metropolitan Museum of Art’s “Search for Alexander” project. Unlike Warhol’s celebrity portraits drawn from photographs, this portfolio marks his rare engagement with classical sculpture. Moreover, the series includes Alexander the Great 292 and several trial proofs that explore shifts in scale, color, and composition.

Classical Source and Modern Intervention

The image Warhol used for Alexander the Great 291 derives from a photograph of a Greek or Roman bronze head dated between roughly 150 BCE and 138 CE. Warhol preserves the profile’s authority and calm while disrupting its historic distance. By contrast, the fluorescent pink background collapses time, forcing the ancient figure into a contemporary visual language. Meanwhile, the red and neon outlines animate the surface, suggesting motion, violence, and ambition beneath the stoic exterior.

Alexander the Great 291 in Warhol’s Larger Body of Work

In the context of Warhol’s 1980s output, Alexander the Great 291 aligns with portraits of political power such as Mao, Lenin, and John F. Kennedy. However, instead of a modern media figure, Warhol turns to an ancient conqueror. Consequently, Alexander emerges as a proto-celebrity, shaped by myth, repetition, and historical spectacle. At the same time, the work reflects Warhol’s long friendship with Iolas, whose Greek heritage subtly echoes in the choice of subject.

Photo credit: Head of Alexander the Great Bronze, Greek or Roman, late Hellenistic to Hadrianic period, ca. 150 BCE–138 CE, The Metropolitan Museum of Art.

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