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Andy Warhol Campbell's Soup I: Chicken Noodle 45 stock image with Revolver gallery watermark.
Andy Warhol Campbell's Soup I: Chicken Noodle 45 screenprint framed.
Andy Warhol Campbell's Soup I: Chicken Noodle 45 framed and sitting on the ground at Revolver Gallery.
Andy Warhol's signature on the back of Campbell's Soup II: Chicken Noodle 45
All ten prints from the Campbell's Soup I complete portfolio framed and hanging on the wall.
Andy Warhol - Chicken Noodle F.S. II 45 wd jpg

Campbell’s Soup I: Chicken Noodle 45

Catalogue Title: Campbell’s Soup I: Chicken Noodle (FS II.45)

Year: 1968

Size: 35” x 23”

Medium: Portfolio of ten screenprints on paper

Edition: Edition of 250 signed in ball-point pen and numbered with a rubber stamp on verso. There are 26 AP signed and lettered A – Z in ball-point pen on verso.


Campbell’s Soup I: Chicken Noodle 45 is one of ten prints included in Warhol’s Campbell’s Soup I portfolio. Created in 1968, the portfolio was inspired by his original paintings of the iconic soup cans, 32 Campbell’s Soup Cans, from 1962, which was both controversial and successful. A year after this portfolio’s completion, Andy printed the soups again in Campbell’s Soup II. In the second portfolio, Andy strayed from the cans’ original design, adding his own illustrations. For this reason, the Campbell’s Soup I portfolio is the most valuable of the two, as a direct homage to the original brand. Both Campbell’s Soup I & II are included in Warhol’s top 10 most valuable portfolios

Warhol’s soup cans accelerated the emergence of Pop-art, and are arguably his most well-known works. Inspired by contemporaries like Robert Rauschenberg, Jasper Johns, and Roy Lichtenstein, Warhol’s Campbell’s concept was his most significant contribution to the new movement. Moreover, the work perfectly represents the movement’s themes and ambitions, and ultimately allowed him to champion the pop-art genre.

As a response to the overwhelming popularity of abstract expressionism, Warhol sought to redirect common perceptions of artistic subject matter. Concepts like natural beauty and emotion had long been a focal-point for expressionist art, but Warhol found inspiration in other venues of life. Mainly, he wanted to emphasize the products of 20th century industry, and draw attention to commerce and mass-production. This motif can be seen in Warhol’s Ads portfolio, and his 1964 Tomato Juice Box sculpture.

Common commercial objects fascinated Warhol for various reasons. Specifically, he saw them as humble miracles of modern society, appearing the exact same everywhere you go. Thus, in Andy’s mind, items like Coca-Cola or Chanel perfume were authentic reflections of human culture, and a legitimate source of artistic value. In particular, Campbell’s Soup stood out as an interesting subject. Warhol liked it for its commercial success and iconic design, which had stayed the same for decades. Not to mention, he claimed to have eaten the soup almost everyday for twenty years.

Ultimately, Warhol’s Campbell’s Soups challenged notions of what “counted” art, and offered a fresh perspective on artistic ideas in general. Initially, the soup cans’ debut in 1962 surprised the audience and offended some mainstream artists. No one expected the strictly commercial style. Rather than the complex abstractions of popular art, the work seemed to resemble a grocery store aisle. Surely, the artwork confused many people. But this is perhaps a large part of the work’s meaning. With the soup cans, Warhol caused people to consider the artistic value of what they were viewing, leading towards a fundamental shift in society’s understanding of what art could be. Campbell’s Soup I: Chicken Noodle 45 is one of Andy Warhol’s greatest accomplishments, and a cherished piece of modern art.

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