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Picture of Campbell's Soup I Complete Portfolio, 1968, stock version, by Andy Warhol.
All ten prints from the Campbell's Soup I complete portfolio framed and hanging on the wall.
32 Soup cans framed and on the wall by Andy Warhol, including all prints from the Campbell's Soup I complete portfolio.
Irving Blum at home with Andy Warhol’s 32 Campbell’s Soup Cans in 1962. © William Claxton, Courtesy Demont Photo Management, LLC. Includes all prints from the Campbell's Soup I portfolio.
Size comparison image of the Campbell's Soup I complete portfolio, showing the relative size of the prints (35 inches by 23 inches) compared to silhouettes of Andy Warhol and Edie Sedgewick.
Andy Warhol's Pepper Pot 51 from the Campbell's Soup I complete portfolio framed and hanging on the wall.
Andy Warhol, Onion 47 screenprint from the Campbell's Soup I complete portfolio.

Campbell’s Soup I Complete Portfolio

Catalogue Title: Campbell’s Soup I Complete Portfolio (FS II.44-53)

Year: 1968

Size: 35″ x 23″ Each

Medium: Screenprint on Paper

Edition: Portfolio of 10. Edition of 250 signed in ball-point pen and numbered with a rubber stamp on verso. There are 26 AP signed and lettered A-Z in ball-point pen on verso.

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The Campbell’s Soup I complete portfolio by Andy Warhol consists of ten screenprints of Campbell’s Soup cans from 1968. It is one of the artist’s most famous and controversial series, which helped him champion the Pop Art movement. It is Warhol’s second Campbell’s Soup project, debuting six years after his original 32 Campbell’s Soup Cans paintings and followed by the Campbell’s Soup II portfolio from 1969. The thirty-two canvases that make up the original Campbell’s Soup Cans series include hand-painted illustrations of thirty-two different flavors of Campbell’s soup. The star of Warhol’s first solo gallery exhibition in 1962, the original Campbell’s Soup Cans series is one of his earliest works.

Andy Warhol’s Campbell’s Soup I complete portfolio mixes his signature mass-production techniques with individualized details, such as hand-lettering on the labels. This detail juxtaposes the pains Warhol took when mimicking the uniformity and repetition of advertisements. For example, Warhol used a combination of projection and tracing to reduce differences between his paintings of the cans. For the Fleur de Lys pattern on the bottom of each can, he created a stamp in order to avoid hand-painting each symbol.

The Campbell’s Soup I complete portfolio further mechanizes Warhol’s art by turning his paintings into uniform screenprints. The suite is one of the first portfolios in which Warhol used screenprinting, and one of the first publications by Factory Additions, a company Warhol developed to distribute his prints. The portfolio includes ten different Campbell’s Soup cans. Each print features one of the thirty-two flavors included in the initial series. Some of the flavors include Black Bean 44, Chicken Noodle 45, Tomato 46, and Cream of Mushroom 53. Campbell’s Soup II followed Campbell’s Soup I in 1969, and contains ten additional screenprints of canvases from the original Campbell’s Soup Cans series with additional illustrations. Campbell’s Soup I features some of the most widely recognized prints from the entire collection. 

Warhol’s fascination with the Campbell’s Soup can as an object of commercialization continued long past these series. He revisited the theme at many points in his career, changing color palettes and manipulating images. The Campbell’s Soup I complete portfolio, however, marks the beginning of Warhol’s use of this theme and one of the first instances of Warhol’s use of what is now considered his signature medium. 

Warhol’s Campbell’s Soup I complete portfolio reflects the monotony and repetitive characteristics of advertising, examining everyday objects as fine art. Of his decision to depict soup cans, Warhol said, “I used to drink it. I used to have the same lunch every day, for 20 years, I guess, the same thing over and over again.” In the Campbell’s Soup I complete portfolio, Warhol turns his daily meal into an iconic work of art. Moreover, he engages with the mass production techniques that are so ingrained in our lives, truly fulfilling his wish of becoming “a machine.”  

Campbell’s Soup I Complete Portfolio as Part of Andy Warhol’s Larger Body of Work

 

One of Warhol’s most iconic portfolios, Campbell’s Soup I, is recognizable by even beginner Warhol enthusiasts. It was with these soup cans that Warhol started to become a household name. When Warhol first showed the soup cans in California they created quite a stir. Even though Warhol is mostly connected to New York, he had an impact and connection with the art and artists in California in the early 60s. The semi-mechanized process he used to create these works became a key characteristic of Warhol’s art. He continued to play with the imagery of the soup can by contorting and altering them. However, it is the classic, simple version that continues to be the most popular and bring in new collectors. Warhol’s Campbell’s Soup I complete portfolio helped to usher in the Pop Art movement that endures today, renewed and rediscovered by artists such as Damien Hirst and Jeff Koons. 

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