Campbell’s Soup I: Tomato 46 is probably the most recognizable out of all soup cans in Warhol’s Campbell’s Soup I portfolio. Tomato soup was Campbell’s first release and continues to be a popular flavor today. Warhol continuously took everyday consumer goods and turned them into high art. The tomato soup can was also the first that inspired Warhol to play with the imagery when he got the idea to create the screenprints. One of the reasons that Andy Warhol chose to feature Campbell’s Soup was because of his fascination with consumer items and the claim that he had eaten Campbell’s Soup for lunch for most of his life. These Campbell’s Soup I prints are extremely dynamic with their very graphic imagery and simple color choices as the red stripe of the label is the main source of color in the image.
Campbell’s Soup I: Tomato 46 as Part of Andy Warhol’s Larger Body of Work
One of Warhol’s most iconic portfolios, Campbell’s Soup I, is recognizable by even beginner Warhol enthusiasts. It was with these soup cans that Warhol started to become a household name. When Warhol first showed the soup cans in California they created quite a stir. Even though Warhol is mostly connected to New York, he had an impact and connection with the art and artists in California in the early 60s. The semi-mechanized process he used to create his works is something that is characterized with Warhol. He continued to play with the imagery of the soup can by contorting and altering them. However, it is the classic, simple version that continues to be the most popular and bring in new collectors. Warhol’s Campbell’s Soup series helped to usher in the Pop Art movement that endures today, renewed and rediscovered by artists such as Damien Hirst and Jeff Koons.